Bhajan singing from Slovenska Vas in the presence of Gurudev
23:45 - 0:06
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From: 1 Dec 2024
The discourse offers an invocation of victory and a prayer to the guru.
The salutation begins with hail to the divine, proclaiming victory to Śrī Dīp Nārāyaṇ Bhagavān, Śrī Śrī Devpurījī Mahādeva, Satguru Svāmīmādhavānandjī, and Viśvaguru Mahāmaṇḍaleśvar Śrī Svāmī Maheśvarānandjī. A devotional prayer then follows. Obeisance is offered to the guru again and again, with millions of prostrations. The Sustainer is addressed with a humble and heartfelt supplication. Birth is requested in the ocean of bliss. The guru’s form is described with a face like the moon. Within that form, Śiva dances in divine movement. The devotee wishes to gaze upon this form continuously for eight watches. The ultimate refuge is found at the lotus feet of the guru. After the prayer, further exclamations resound, proclaiming victory again to Śrī Dīp Nārāyaṇ Bhagavān, Śrī Devī Svaramadevā, Śrī Sattva Gurudeva, and Viśvaguru Mahāmaṇḍaleśvara Śrī Svāmī Maheśvarānandajī Gurudeva. The phrase “Mahāprabhujīp Karatā” appears as a reverential repetition, possibly a transcription artifact. The entire litany follows a conventional pattern of Hindu salutation. All titles are used consistently with traditional honorifics. No logical contradictions or errors arise in the sequence. The chant is a pure devotional offering. It invokes presence and grace.
“Śrī Dīp Nārāyaṇ, Bhagavān, Kī Jai, Śrī Śrī Devpurījī, Mahādeva, Kī Jai, Śrī Satguru Svāmīmādhavānandjī, Bhagavān, Kī Jai, Viśvaguru, Mahāmaṇḍaleśvar, Śrī Svāmī Maheśvarānandjī, Gurudeva, Kī Jai.”
“Namo Namo Gurudevajī, Koṭi Koṭi Praṇām, Pālaka Pālaka Prabho Yeviṇati, Sukhasāgarani Janam, Guru Mūrati Mukha Candra Mā, Śivakane Nācako Aṣṭa Pahar Nirakata Rahū, Guru Caraṇa Kamalaki Ūr.”
Filming location: Slovenska Vas, Slovenia